History of Contemporary Circus

Contemporary circus (when it started it was known as “nouveau cirque”) is a type of circus that appeared in late 1960s and early 70s. It combines aspects of classical circus with theater. It rarely uses animals and is more focused on aesthetic impact, and on character and story.

Although contemporary circuses originate from traditional ones there are enough differences that we can consider them as separate performing arts. Traditional circuses have performers that are mostly families that work at circuses for generations while contemporary circuses have performers that are conservatory-trained artists. Contemporary circuses perform in theaters and arenas mostly while the traditional circuses perform under large tents. Show of tradition circus contains a series of acts that don't have interconnection but are made to create spectacle while contemporary circus tries to create unity between its acts connecting them with a central narrative or theme. Even the music is different between them. Classical circus tries to create atmosphere of spectacle so it uses uptempo marches and waltzes that are standards while the contemporary circus uses variety of music depending on the atmosphere it tries to convey and its music is almost always especially written for the show. Traditional circus is still alive and popular, but contemporary circus tries to achieve a high standard of art and not limit itself to only one art form.

Picture Of Act From Contemporary Ccircus

The first contemporary circuses started appearing in France, Australia, the West Coast of the United States and the United Kingdom. Some of the earliest are: Royal Lichtenstein Circus, founded in San Jose, California in 1970; SoapBox Circus and New Circus, which were both founded in the early 1970s and in 1977 merged to “Circus Oz”; the “Pickle Family Circus”, which came from San Francisco and was founded in 1975; London's “Ra-Ra Zoo” founded in 1984; “Nofit State Circus” founded the same year in Wales; famous “Cirque du Soleil” (Circus of the Sun) also founded that same year in Quebec; “Cirque Plume” from France (1984 was a good year for contemporary circus); and “Archaos”, also from France and founded in 1986.

Contemporary circus became popular and others followed: “Cirque Éloize” was founded in Quebec in 1993; “Flam Chen” opened in Arizona, United States, in 1994; New York got its own contemporary circus in the shape of “Bindlestiff Family Cirkus” in 1995; “Cirkus Cirkör” was founded in Stockholm, Sweden, in 1995; “Teatro ZinZanni” started working in Seattle in 1998; somewhere around then “West African Circus Baobab” was also founded. One of the more famous contemporary circuses “Les 7 doigts de la main” from Montreal was founded in 2002. San Francisco's “Vau De Vire Society”, “Wanderlust Circus” from Portland, Oregon and Australia's “Circa” were founded in 2004. There is also darker variant of contemporary circus (cirque noir) which is performed by Circuses from the United States like “Lucent Dossier Experience”, “PURE Cirkus”, and the “Red Light Variety” Show from Boise, Idaho.

This type of circus, and its combination with traditional kind, restored interest of general public in circus that started to dwindle in the sixties.

Picture Of Act From Contemporary Ccircus